Untitled, 2020
Oil on aluminium panel
22(h) x 30.6(w) cm
All The Shows Have Been Closed Down, 2019
(with ‘I See Nothing, The Sun is in My Eyes’ by Corey Bartle-Sanderson)
(engineering by Christopher Yeomans. Audio taken from ‘Ghost Town’ by Kode9 & The Space Ape)
Audio, subwoofers, custom built LED tube bulb, DMX decoder
Featured here in Ghost Town at Coherent, Brussels
Two Steps Back from Dancing in the Smoke, 2019
(engineering by Elliot Brown and Edward Durcan)
Audio, studio monitors, subwoofers, motion sensor, raspberry pi
Produced with support from Forma
Featured here in Shipment: No Motion Occurring
Two Steps Back from Dancing in the Smoke, 2019 (detail)
(engineering by Elliot Brown and Edward Durcan)
Audio, studio monitors, subwoofers, motion sensor, raspberry pi
Produced with support from Forma
Featured here in Shipment: No Motion Occurring
A Breakage in the Hum, 2018
Vinyl print on acrylic
20(h) x 30(w) cm
Installation video from ‘Night Shade’, 2018 at The Boys Club Secret Open House, London, UK
‘Night Shade’, 2018
Speakers, audio, mdf box, grate
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A Breakage in the Hum, 2018
Vinyl print on acrylic
Works by Corey Bartle-Sanderson and Steven Gee also featured

Exit Entry, 2018
Installation image from ‘Home Alone’ curated by Dateagleart, undisclosed house in Shoreditch, London, UK
Exit Entry, 2018
Oil on aluminium panel
30.6(h) x 22(w) cm
Untitled, 2018 Oil on aluminium panel 22(h) x 30.6(w) cm
The Painter and Their Desktop, 2017 Installation image from IKO: Blue Sky Thinking, SET Capstan House, London, UK
The Painter and Their Desktop, 2017 Oil on aluminium panel, Nitrile gloves 60(h) x 90(w) cm